While their sound drew primarily on classic honky tonk, it also boasted all the advantages of updated production techniques and equipment, proving that pure country music could sound authentic yet modern.
This unfortunate bastardization of the genre is typically referred to as bro-country, for its common, unimaginative themes of binge-drinking and attractive young women wearing cutoff jeans. This is country music from a 21st century assembly line, and its continued dominance of FM country radio only makes it more difficult for authentic modern country artists to get the recognition they deserve.
These are a few of the worst musicians who are holding the genre back with their bro-country stylings. Whatever happened to country songs about rambling and heartbreak? Rascal Flatts The most I can say about Rascal Flatts is that they have more longevity than many other modern country acts.
Unfortunately, Maren Morris conforms to just about every other bro-country trope. It takes time to name drop Johnny Cash and Hank Williams even as it eschews their more authentic sound in favor of slick overproduction.
Dierks Bentley Dierks Bentley has been making painfully overproduced bro-country for more than a decade now, and with great success. His choruses sound like every other artificially twangy chorus on country radio, while his verses are often unique in their uninspired laziness.
Check out Entertainment Cheat Sheet on Facebook!Country music is discussed without reference to either modernist or postmodernist standards. Instead of arguing that country music is aesthetically complex and socially progressive, Shusterman focuses on the issue of how country music succeeds in conveying emotional authenticity to its fans.
His music is rooted in the culture and experience of Appalachia, and sounds almost like modern versions of songs the Stanley Brothers would've written and recorded more than half a century ago. Influences from pop music tend to cycle in and out of country, whether it be in the form of Shania Twain, Garth Brooks (remember Chris Gaines?), Taylor Swift or Avicii.
Authenticity is a renewable resource, and the final chapter of Creating Country Music outlines the conditions for country music's survival and growth in the twenty-first century. If you knew some, but not all, of the foregoing ten facts about the creation of country music, you're the .
Authenticity: What Consumers Really Want [James H. Gilmore, B. Joseph Pine II] on initiativeblog.com *FREE* shipping on qualifying offers.
Contrived. Disingenuous. Phony. Inauthentic. Do your customers use any of these words to describe what you sell—or how you sell it? If so. Then they compared him to Merle Haggard. All this after he was named "Artist of the Year" by Saving Country Music.
Sturgill Simpson is the indie country singer who can finally join those two worlds.